Series Description From the Series:

Photocopies—and the originals, when available—of newspaper and magazine clippings related mostly to Graves’ writing career can be found in this series. The clippings are filed in chronological order. A number of issues of entire magazines are kept in Box 47, due to their size.

Series Description From the Series:

Photocopies—and the originals, when available—of newspaper and magazine clippings related mostly to Graves’ writing career can be found in this series. The clippings are filed in chronological order. A number of issues of entire magazines are kept in Box 47, due to their size.

Series Description From the Series:

Photocopies—and the originals, when available—of newspaper and magazine clippings related mostly to Graves’ writing career can be found in this series. The clippings are filed in chronological order. A number of issues of entire magazines are kept in Box 47, due to their size.

Series Description From the Series:

Photocopies—and the originals, when available—of newspaper and magazine clippings related mostly to Graves’ writing career can be found in this series. The clippings are filed in chronological order. A number of issues of entire magazines are kept in Box 47, due to their size.

Series Description

Photocopies—and the originals, when available—of newspaper and magazine clippings related mostly to Graves’ writing career can be found in this series. The clippings are filed in chronological order. A number of issues of entire magazines are kept in Box 47, due to their size.

Series Description From the Series:

This series includes photocopies of newspaper clippings about Harrigan and his work saved by the author and original clippings of his ads for the University Co-op. His Co-op ads have been preservation photocopied and reside in Series I.

Series Description From the Series:

This series contains material from Harrigan’s years as an active member of the Texas Institute of letters. The documents include meeting minutes, financial statements, correspondence, newspaper clippings, and programs from Institute events

Series Description From the Series:

This series contains material from Harrigan’s years as an active member of the Texas Institute of letters. The documents include meeting minutes, financial statements, correspondence, newspaper clippings, and programs from Institute events

Series Description From the Series: This series surveys Harrigan's creative works from his work as ad writer at the University Co-op to the publication of his book, Water and Light. It includes manuscript drafts, notes, notebooks, galley proofs, correspondence, magazines, clippings, financial and legal papers, screenplays, photographs and artifacts. In some cases Harrigan added notes and inscriptions describing the materials and providing background information....

Series Description From the Series: The Correspondence series contains letters that highlight Graves’ writing career, with letters to and from publishers, agents, fellow writers, fans, event organizers and others. Insights into Graves’ personal life and thoughts are also found in letters between Graves and longtime friends and family members. Graves kept carbon copies and later computer printout copies of many of his letters to others, so the researcher gets both sides of the letter-writing dialogue, in these folders and...

Series Description From the Series: The Correspondence series contains letters that highlight Graves’ writing career, with letters to and from publishers, agents, fellow writers, fans, event organizers and others. Insights into Graves’ personal life and thoughts are also found in letters between Graves and longtime friends and family members. Graves kept carbon copies and later computer printout copies of many of his letters to others, so the researcher gets both sides of the letter-writing dialogue, in these folders and...

Series Description From the Series:

This series is arranged chronologically, and contains mainly invitations, programs and photographs related to awards and honors bestowed upon Graves. A significant portion of this series deals with the Dallas Museum of Art’s “John Graves Day,” celebrated in May 1995, and includes video recordings of the event as well as correspondence, clippings and programs.

Series Description From the Series: The Correspondence series contains letters that highlight Graves’ writing career, with letters to and from publishers, agents, fellow writers, fans, event organizers and others. Insights into Graves’ personal life and thoughts are also found in letters between Graves and longtime friends and family members. Graves kept carbon copies and later computer printout copies of many of his letters to others, so the researcher gets both sides of the letter-writing dialogue, in these folders and...

Series Description From the Series: The Monograph series includes research notes, typed manuscripts, galley proofs, printed materials, correspondence, and other materials chronicling Graves’ literary contributions from his earliest short stories to his more recent essays and memoir. Materials from all of his books are included. Many of these materials were annotated by Graves with personal comments when he donated the materials to Bill Wittliff.Manuscript materials relating to the books Graves is credited as writing...

Series Description From the Series: Notebooks, legal papers, financial papers, photographs, journals, objects and academic records make up the majority of the materials in this series. Graves’ academic career is well documented through grade reports and written recommendations, class notes from undergraduate and graduate school, and his Columbia University Master’s thesis on William Faulkner. Of particular interest in this series is the notebook Graves used while traveling in Europe and his journal of a trip down the Rio...

Series Description From the Series: This series surveys Harrigan's creative works from his work as ad writer at the University Co-op to the publication of his book, Water and Light. It includes manuscript drafts, notes, notebooks, galley proofs, correspondence, magazines, clippings, financial and legal papers, screenplays, photographs and artifacts. In some cases Harrigan added notes and inscriptions describing the materials and providing background information....

Series Description From the Series: Notebooks, legal papers, financial papers, photographs, journals, objects and academic records make up the majority of the materials in this series. Graves’ academic career is well documented through grade reports and written recommendations, class notes from undergraduate and graduate school, and his Columbia University Master’s thesis on William Faulkner. Of particular interest in this series is the notebook Graves used while traveling in Europe and his journal of a trip down the Rio...

Series Description From the Series: This series consists mainly of draft photocopies and printouts of other people’s novels, essays, screenplays and poetry. Also included are correspondence, clippings, research, notes and page proofs. A handful are essays written about Graves, but the majority of the files are creative works that Graves has proofread or for which he has offered promotional comments.The typescript "A Texas Rancher in Durango, Mexico" may not be viewed without permission from John Graves or Bill...

Series Description From the Series: This series surveys Harrigan's creative works from his work as ad writer at the University Co-op to the publication of his book, Water and Light. It includes manuscript drafts, notes, notebooks, galley proofs, correspondence, magazines, clippings, financial and legal papers, screenplays, photographs and artifacts. In some cases Harrigan added notes and inscriptions describing the materials and providing background information....

Series Description From the Series: The Other Writings series is devoted to the many short stories, essays, book introductions, tributes, and unpublished pieces written by Graves, and spans almost six decades. This series is also the largest in the collection, filling eleven document boxes, plus oversize. The works within it arearranged alphabetically by title, usually according to the official published title, but sometimes by a book title if Graves’ piece is an untitled introduction, or a draft title if the piece is...